TO LIQUEFY ITS OWN VOICE TO LINK IT TO OTHERS: VIRGINIA AYLLÓN AND SOME NOTES ON LIBERALIA

Abstract

In this paper, starting from the notion of function-author proposed by Foucault (2009), we weave some notes based on the hypothesis that Virginia Ayllón’s writing, a Bolivian writer, would represent a displacement of this concept, since it is plotted from a discursive memory (PÊCHEUX, 1999) that  relates to the subject form of bourgeois society (HENRY, 1992) and shows itself closer to discursive formations (PÊCHEUX, 2000) that value orality, feminine knowledge (LACAN, 2008) and collectivity. Therefore, our aim in this reflection is related to a (re) knowledge of this ideological-discursive clash present throughout Latin America - but not sufficiently evident yet - in the textual material (whether written or spoken) of Virginia Ayllón's know-how. To write this paper, the starting point was based on the theoretical assumptions of the Analysis of the Materialist Discourse, understood as a discipline in between. Among the results obtained, still partial and inconclusive, we find that there is a concrete possibility of authorship, that will be called “female” here, analyzed in Ayllón’s (and perceived by her in Adela Zamudio) which, starting from a less legal notion of subject, understood as a monolithic block and responsible for its work, it would boost an authorship constellation and, thus, the construction of social ties via writing.